The Story Of Art

Author: E H Gombrich, E H Gombrich

Stock information

General Fields

  • : $55.00 AUD
  • : 9780714832470
  • : Phaidon
  • : Phaidon Press
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  • : 1.633
  • : July 2007
  • : 245mm X 172mm X 41mm
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  • : 64.95
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  • : books

Special Fields

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  • : E H Gombrich, E H Gombrich
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  • : Paperback
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  • : English
  • : 709
  • : very good
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  • : 376 colour and 64 b&w illustrations, 6 fold-outs, bibliography
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Barcode 9780714832470
9780714832470

Description

This text is the 16th revised and updated edition of this introduction to art, from the earliest cave paintings to experimental art. Eight new artists from the modern period have been introduced. They are: Corot, Kollwitz, Nolde, de Chirico, Brancussi, Magritte, Nicolson and Morandi. A sequence of new "endings" have been added, and the captions are now fuller, including the medium and dimension of the works illustrated. Six fold-outs present selected large-scale works. They are: Van Eyck's "Ghent Altarpiece", Leonardo's "Last Supper", Botticelli's "Birth of Venus", Jackson Pollock's "One (Number 31, 1950)", Van der Weyden's "Descent from the Cross" and Michelangelo's Sistine Chapel ceiling.

Reviews

" - The story is told in a clear and fluent narrative that covers the entire world and the whole of human history in a well-planned sequence of 21 chapters - The Story of Architecture brings understanding and insight for those who have encountered the world's architectural heritage in their travels or through the media, and seek to explore it further - " Perspective " - a book that has already become seminal among students of architecture - there is not much that the distinguished professor misses, as he roams the architectural world, asking, "why is it like this?" The Times Literary Supplement " - required reading for anyone interested in the evolution of a noble art form. ..The story is told in a clear and fluent narrative which covers the entire world and the whole of human history. That is some achievement. ..the author draws on hid own architectural experience to inspire the reader to enter the mind of the architect - " The Yorkshire Evening Press "Nuttgens proceeds on two fronts. First - this is a signal strength - he writes with an architect's sense of how buildings are actually built, how they manage to stay up; he gently leads the reader through a crash course - in the fundamental principles of construction. He is also industrious in describing the social and political context within which building took place - This book is a treasury of facts - " The Tablet "Patrick Nuttgens' The Story of Architecture has taken honours among introductory architecture texts since its publication. - Along with an excellent bibiography, the book boasts all the appurtenances desirable in such a work - time lines, maps, and thumbnail biographies of 125 historic and contemporary architects. - Nuttgens avoids the jargon of the trade, proving - again - that plain old English is perfectly capable of describing complex creations, evolutions, architects and buildings. - more than 400 well-chosen and expertly reproduced illustrations - In an era when so much writing on architecture is either diatribe or gibberish, Nuttgens' approach is a relief. His account is comprehensive, cosmopolitan, judicious, and generous. " World Architecture

Author description

Ernst Gombrich was one of the greatest and least conventional art historians of his age, achieving fame and distinction in three separate spheres: as a scholar, as a popularizer of art, and as a pioneer of the application of the psychology of perception to the study of art. His best-known book, The Story of Art - first published 50 years ago and now in its sixteenth edition - is one of the most influential books ever written about art. His books further include The Sense of Order (1979) and The Preference for the Primitive (2002), as well as a total of 11 volumes of collected essays and reviews. Gombrich was born in Vienna in 1909 and died in London in November 2001. He came to London in 1936 to work at the Warburg Institute, where he eventually became Director from 1959 until his retirement in 1976. He won numerous international honours, including a knighthood, the Order of Merit and the Goethe, Hegel and Erasmus prizes. Gifted with a powerful mind and prodigious memory, he was also an outstanding communicator, with a clear and forceful prose style. His works are models of good art-historical writing, and reflect his humanism and his deep and abiding concern with the standards and values of our cultural heritage.